Now that you’ve used up some of the paint on your brush, turn your brush 90 degrees so that it angles into the wall, and go back to the beginning of your stroke. This time, using long, even.
The Paint tool simulates brush strokes via various behavior and settings to give the feeling of painting onto the 3D mesh.
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The Contextual Toolbar will display the following shortcuts (see their explanation in next sections) :
- Size
- Flow
- Stroke Opacity
- Spacing
Additional shortcuts are available which are common across some other tools :
- Symmetry
At the top of the Properties window are the brush and material previews. They can be used to quickly glance at how the current tool is setup.
| Name | Description |
|---|---|
The brush preview displays how the brush will behave based on the brush parameters. It is possible to click in the preview to draw a custom stroke. | |
Material Preview | The material preview shows the properties of the material currently used to paint. It is possible to click in the preview to rotate the lighting and see better how the material will behave before painting. |
The Brush parameters are what defines the look and feel of the brush stroke when performed on the 3D mesh.
Some parameters may be controlled by Pen Pressure when using a graphic tablet. This information can also be saved in presets.
Click on the dedicated button to enable or disable the pressure :
| Name | Description |
|---|---|
| Size | Controls how big the stamps inside a brush stroke will be. The brush size is relative can changed depending of the relative space is defined in (see the Alignment Size Space parameter below). This parameter can be controlled by Pen Pressure. |
| Flow | Intensity or opacity of the individual stamps inside the brush stroke. This parameter can be controlled by Pen Pressure. |
| Stroke Opacity | Maximum global opacity of a brush stroke. Contrary to the Flow parameter, the Stroke Opacity cannot be controlled via Pen Pressure because it is applied at the end of the stroke drawing process. Difference between Flow and Stroke Opacity :
It is possible to continue a previous stroke like in the animation above by pressing the shortcut 'A'. |
| Spacing | Distance between the individuals stamps of a brush stroke. Small values allow to create continuous lines but are more expansive to compute as they draw much more stamps in total. High values allow to create gap between the stamp which may be more suited for specific patterns (like Nails on wood). |
| Angle | Orientation of the stamps inside the brush stroke. Useful to rotate the Alpha if not properly aligned. Can be combined with the Follow Path. |
| Follow Path | Orients the stamps inside the brush stroke to follow the painting direction. To compute the stroke direction Substance Painter compares the previous stamp with the current one, which is why when Follow Path is enabled a single click to paint will not produce any results. At least a minimum of two stamps are required to paint a brush stroke with this feature enabled. |
| Size Jitter | Apply a random size value per stamp inside the brush stroke. A value of 0 means no randomness, a value of 1 means full randomness. |
| Flow Jitter | Apply a random flow value per stamp inside the brush stroke. A value of 0 means no randomness, a value of 1 means full randomness. |
| Angle Jitter | Apply a random additional rotation angle per stamp inside the brush stroke. A value of 0 means no randomness, a value of 1 means full randomness. |
| Position Jitter | Apply a random position offset per stamp inside the brush stroke. A value of 0 means no randomness, a value of 1 means full randomness. |
| Alignment | Determines how the stamps inside the brush stroke will be projected / oriented on the surface of the 3D mesh. The following values are available :
|
| Backface Culling | Allows to ignore surfaces on the 3D mesh that are not aligned with the stamp. To compute which parts of the 3D mesh should be ignored, the painting engine looks at the normal at the surface of the 3D mesh and compares its angle against the value defined. |
| Size Space | Controls in which relative space the brush size is computed. Possible values are :
|
The Alpha is the grayscale mask that is applied over each stamp inside the brush stroke. It can be a Substance file or a bitmap.
If a Substance graph has a parameter 'hardness' (identifier) exposed, it can be controlled with the Hardness keyboard shortcut.
Games for mac shooter. The Physics properties allow to control the particles that are projected when painting.
By default the Physics properties are not available but can be enabled by two means :
- By switching the tool to 'Physical' in the Toolbar (or via the keyboard shortcut).
- By clicking on a Particle brush preset in the Shelf.
Angle Paint Brush Holder
The Stencil is an additional grayscale mask for the brush stroke. Contrary to the alpha which is applied for each individual stamps, the Stencil is a global mask applied from the viewport point of view.
It is possible to reset the Stencil transformation by pressing the S key and then clicking on the 'Reset' button at the top right of the viewport :
| Mode | Viewport |
|---|---|
| No resource loaded | When no resource is loaded, the stencil has no effect. It is possible to disable temporarily the Stencil mask without removing the resource by pressing and maintaining the keyboard shortcut 'N'. |
| Move Stencil | Moving the Stencil can be done by pressing the S key and click and dragging with the Middle Mouse button. |
| Rotate Stencil | Rotating the Stencil can be done by pressing the S key and click and dragging with the Left Mouse button. Additionally, pressing the Shift key allows to snap the rotation every 90 degrees. |
| Resize Stencil | Resizing the Stencil can be done by pressing the S key and click and dragging with the Right Mouse button. |
The tiling mode setting controls how the Stencil mask is repeated over the viewport (this setting affects the texturing as well) :
| Tiling Mode | Description |
|---|---|
| No Tiling (default) | |
Horizontal Tiling | Repeat the Stencil mask only on the horizontal axis. |
Vertical Tiling | Repeat the Stencil mask only on the vertical axis. |
H and V Tiling | Repeat the Stencil mask on both the horizontal and vertical axis. |
A Material is composed of multiple channels where each retain specific properties. The list of channels is dependent of those defined in Texture Set Settings window.
The Material mode button is an easy way to load a Substance files or a preset to quickly assign and edit multiple channels at once.
Clicking on a channel button will select or deselect it. When deselected the channel property cannot be modified and won't be used during the painting process.
Media Gallery
There are many good reasons to apply knockdown drywall texture. Aside from their ability to disguise uneven or poorly finished walls, heavy drywall textures can complement decorative paint effects, make a room seem warmer (as compared to a smooth, glossy finish), and even provide a moderate level of soundproofing.
This technique has been popular for quite some time, and the only real drawback is that it can be difficult to recreate the texture on repairs. Knockdown texture, also known as skip trowel texture, is usually applied with a sprayer. The textured surface can also be created entirely by hand- it will just take a bit longer.
Tools and Materials
- Masking materials and drop cloths
- and air compressor (for spray application)
- (for hand application)
- Premixed or powder texture compound
- Clean 5 gallon plastic bucket, for mixing
- Drill with paddle/ribbon mixer attachment
- Trowel or plastic knockdown knife
Preparing the Surface
As with many home improvement projects, surface preparation will probably take more time than the project itself. Damaged areas must be repaired and allowed to dry thoroughly before you can proceed. If your walls are in good condition, the only real preparation you’ll need to do is masking.
Priming helps the wet texture dry more evenly, creating a more uniform pattern. Use a high quality latex primer and prime the entire wall. If the room has previously been painted and is in good condition, priming may not be necessary. Instead, use a fine sanding sponge to scuff up the paint and provide some “tooth” for the knockdown drywall texture to adhere to.
Hint: Consider tinting your primer. This will allow you to see at a glance where the off-white compound has been applied, and whether you need to make a second pass to achieve total coverage.
Mixing the Texture
Powdered texture sold in bags is preferred by most contractors; it is, by far, the most economical choice.
If you’re doing a small area (such as retexturing a repair), however, premix may be the better option. It comes in smaller sizes. One type of premix comes in an aerosol can and eliminates the need for a hopper gun. It provides acceptable results very quickly, but the spray cannot be easily adjusted to match existing texture. It’s also very expensive to do a large area. This type should only be used for small repairs in inconspicuous places, or where convenience is more important than an invisible repair (like in a garage or utility room).
In a clean bucket, mix powdered texture compound with water according to package directions. For the best results, mix the day before use, then cover and allow to rest overnight. This will help dissolve any clumps and create a uniform, smooth product. Mix again right before use.
Premix is typically too thick to use as-is. Thin it with water. Properly mixed compound will have the consistency of pancake batter if it’s to be used with a sprayer. If hand applying the texture with a crow’s foot brush, leave it a little thicker- about the consistency of a thick milkshake.
Applying Knockdown Texture with a Sprayer
Attach the hopper gun to the air compressor and fill the hopper. If you are not familiar with these tools, read the instruction booklet that came with the gun. If you’re renting, get instructions from someone at the store before leaving.
Experiment with aperture size and pressure until you achieve a look you like; it may be helpful to do the first few passes on a scrap board until you get the hang of things. Narrator for mac. Low pressure won’t allow the compound to leave the gun; too high a setting will make the spray hard to control. Start with 25 lbs of pressure and work your way up.
90 Degree Angle Paint Brush
Keep the gun moving at all times. Horizontal, vertical, or diagonal strokes all work well; it’s strictly a matter of personal preference. Just make sure that you’re covering the wall evenly and not missing any spots.
Patches
If you recently patched a damaged section of wall, there’s no reason to redo the entire room. Prime the patch first. Examine the existing texture carefully; you’ll want to match it as closely as possible. Roll or spray the drywall mud onto the primed area, then apply texture with the brush.
Angled Handle Paint Brush
Patches can also be textured using a hopper. This is best for large patches. Use a circular spray pattern over and around the patch for best results.
Apply Knockdown Texture with a Brush
Two choices; use the brush to apply the texture or roll on the texture mud and stomp with the brush.
Apply with the Brush: Dip the tip of a crow’s foot brush in texturing compound, then, holding it at a 90 degree angle to the wall, dab it on in a pouncing motion. It should form peaks. Wipe off the brush as it becomes saturated. Repeat across the surface.
Apply with a Roller: You will need a 3/4 inch roller and extension pole to apply the texture mud. Roll on an even coat of texture mud and immediately stomp with the brush. Rotate the brush 1/4 turn after each stomp for a better pattern. This is best preformed by 2 people.
Note: The thicker the drywall mud the taller the peaks will be when using a stomp texture brush. This will provide a heavier style of knockdown texture.
Knocking Down the Texture
Allow the texture compound to dry 20-30 minutes before knocking it down. It should be tacky to the touch. If you’re spraying on the texture, you may be able to spray the whole room before knocking down. If you’re using a brush, however, you’ll need to work in sections.
Hold the trowel or at a 45 degree angle to the wall and flatten out the peaks. You want to cut them off, forming a plateau, rather than smear them. As mud accumulates on the knife, scrape it into the bucket to be reused.
Allow the texture to dry completely before priming and painting. Most of time, you should allow 24 hours, but if the room is cool or humid, give it some extra time. Fans can help speed up the process.
A Word About Tinting the Mud
Some sites claim you can apply knockdown drywall texture with tinted mud and avoid painting altogether. Our advice is: DON’T. Priming and painting the surface will seal the texture from moisture, grease, and stains, which it readily absorbs. Plus, a painted surface just looks better.
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